Sevish

22edo

22edo is a musical tuning system, alternatively known as 22-tone equal temperament (22-tet) and 22 equal divisions of the octave. This page gathers together some useful resources for 22edo.

Photo of Sevish's 22-tone keyboard with a parara[10] layout on the black keys

Links

22edo, Xenharmonic Wiki

22edo tetrachords, Xenharmonic Wiki

22edo modes, Xenharmonic Wiki

Tuning, Tonality, and Twenty-Two-Tone Temperament, Paul Erlich

Triads

Sus2
0 4 13

Subminor
0 5 13

Minor
0 6 13

Major
0 7 13

Supermajor
0 8 13

Sus4
0 9 13

Tetrads

Subminor
0 5 13 18

Minor
0 6 13 19

Major
0 7 13 20

Supermajor
0 8 13 21

Subminor-minor
0 5 13 19

Subminor-major
0 5 13 20

Subminor-supermajor
0 5 13 21

Minor-subminor
0 6 13 18

Minor-major
0 6 13 20

Minor-supermajor
0 6 13 21

Major-subminor
0 7 13 18

Major-minor
0 7 13 19

Major-supermajor
0 7 13 21

Supermajor-subminor
0 8 13 18

Supermajor-minor
0 8 13 19

Supermajor-major
0 8 13 20

Other chords

Harmonics 4:5:6:7 (barbershop seventh)
0 7 13 18

Harmonics 4:5:6:7:9:11 (a beloved chord)
0 7 13 18 26 32

Harmonics 8:10:12:15:18:11 (maj9 plus 11th harmonic)
0 7 13 20 26 32

Harmonics 3:5:7
0 16 27

Harmonics 4:7:9:11 (machine)
0 18 26 32

Scale fragments

Overtonal pentachord (harmonics 8:9:10:11:12)
4 3 3 3

Even tetrachord
3 3 3

Superpyth major tetrachord
4 4 1

Superpyth minor tetrachord
4 1 4

Superpyth phrygian tetrachord
1 4 4

MOS regular temperaments

superpyth[5]
4 5 4 4 5

superpyth[7]
4 4 1 4 4 4 1

pajara[10]
(Static symmetrical major mode in Paul Erlich’s naming scheme)
2 2 3 2 2 2 2 3 2 2

porcupine[7]
3 3 3 4 3 3 3

porcupine[8]
3 3 3 3 1 3 3 3

orwell[5]
5 5 2 5 5

orwell[9]
3 2 3 2 2 3 2 3 2

astrology[6]
4 3 4 4 3 4

machine[6] (11edo)
4 4 4 4 4 2

orgone[7] (11edo)
4 2 4 2 4 2 4

Other nice scales

Subminor hexatonic
4 1 4 4 5 4

Supermajor pentatonic
8 1 4 8 1

Zarlino/Ptolemy diatonic
4 3 2 4 3 4 2

A 12-note subset for standard keyboards, starting on C (all intervals are 2 degrees, except E-F and B-C which are 1 degree each)
2 2 2 2 1 2 2 2 2 2 2 1