A fusion of Georgian traditional music and progressive microtonal jazz, remixed by Sevish.
David Fiuczynski guitar
Giorgi Mikadze microtonal keyboards
Sean Wright drums
Panagiotis Andreou fretless bass
Sevish remix and synths
A collection of rare, unpolished or previously unreleased tracks from Sevish. Available for free download for listeners who want just a little bit more.
New listeners should start off with another album such as Harmony Hacker or Horixens.
If you grab the free download from Bandcamp, it includes a bonus zip with even more files (MP3 format).
Three songs by three musicians, all using microtonal and xenharmonic tunings. A little mixture of avant rock, algorithmic IDM, and space pop – remixed by Sevish in a drum’n’bass style.
~ Hacking harmony with microtonal tunings ~
Harmony Hacker follows the underground acclaim for Sevish’s album Rhythm and Xen (2015), and features his recognizable fusion of upbeat electronic music with microtonal scales. Tracks vary from drum’n’bass to chiptune to house to dreamy soundscapes.
Contains the viral hit ‘Gleam’ that got major attention for its trippy descending chord progression.
Download from bandcamp to get a PDF liner notes. Microtonal tunings include 10-EDO, 15-EDO, 22-EDO, just intonation, Bohlen-Pierce, and various temperaments.
3 tracks of lush, liquid, atmospheric drum’n’bass using microtonal tunings.
Named after the MK-SUPERDUPER conspiracy – a powerful and hidden group who tried to unleash new human emotions using the power of music. It’s only within the liner notes that you’ll discover the TRUTH.
Drum and bass producer Sevish made these 3 tracks to subvert the 12-tone system and honor the secret bass society but his involvement with the original MK-SUPERDUPER project is unknown.
Xenharmonic drum and bass, breaks, and UK bass
the spiritual successor to Golden Hour.
Features the viral hit Droplet that got attention for its indescribable emotion and dreamy textures.
Xenharmonic bass music.
All tracks are written using the same tuning – 23 equal divisions of the octave – and prominently feature the Xen-Arts FMTS synthesizer developed by Jacky Ligon (as Xen-Arts).
2 downtempo electronic tracks and an epic 10 minute drum & bass tune. Featuring a collaboration with Bristletone.
It was an experiment to go back to 12edo for a while.
A study on combining odd-metered rhythms with xen melodies. Electronic jams with a definite experimental edge.
The EP expands on the style from Sevish’s 2010 album Golden Hour: alternate-universe harmonies and big scatterbrained beats.
Human Astronomy EP comes just as Sevish moves away to the UK midlands. “I always found my little patch of London to be inspiring. The landscape of the city has coloured my music.” Human Astronomy features Sevish’s last compositions in London; it is a “good bye, see you again soon” release. It’s also a “next time we meet I’ll have so much to show you” release.
Golden Hour marks Sevish’s introduction to the world of alternative tonality.
It is his first album to use microtonal scales exclusively.